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Subterranean Entity EP Remastered

by Fathom The Void

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
Overture 18:49
2.

about

This one is a weird one, what we call the official start of “Phase 2”. Due to some personal issues, we had been on a hiatus, both musically and friendship wise. I had just come off of Recording and releasing my Solo Debut “Mesolimbic Demolition” and had started getting into the local modular scene. After a few months, I got the call to hang out and music, so we did. Neither of us knew what to expect and we just gave it a shot.

The write up on this is just both of our POV of the situation and what we felt recording it and listening back. The artwork shows the middle table leaf with the Enso Circle in a garage, where it had been sitting for 6 months, a metaphor for the situation. The hard part, at least going into it, was that I had been playing a lot and recording and releasing, but Anonymous hadn’t played at all in that time frame. It just kind of worked for whatever reason, it worked surprisingly well.

In listening back the main point was that it felt like something from the deep was trying to resurface, trying to break out and we applied the deep ocean part to it. Trauma cycles, fear, all that really fun stuff, that’s what I felt. I remember that this was the first thing I had been a part of that terrified me, this release hit me really hard. I hadn’t been hit like that by my own music at that point and I haven’t been hit like that since then. This one was really powerful for me, in the reuniting of the project, to the subject matter I heard in it.

For the remaster, I mainly focused on refining EQ, Shaping tone, and utilizing the full stereo image. My problem with it was that I really scooped the lows and the mids and highs mashed together. So I aimed to remedy that with the what my skillset is today. I also moved stuff around panning wise for a different sound and feeling.

-Aurick Leere

This album was really our first dive into what has become our sound. When we started this project, everything was so chaotic and disorganized and what we were creating felt very forced and rigid. When we listen back to those recordings it surprises us that at the time we were actually pleased with it. Subterranean Entity, however, had a feel of purpose and intent. Which is ironic because it was the first time we had played together in six months so we went into it without either. For once our sounds meshed together seamlessly (as much as possible for harsh noise that is) and there was purpose to it. We were genuinely impressed with what had just happened and instead of backlogging it, decided it was worthy of an EP of its own.

As we listened to the tracks over and over, the same metaphor kept coming to mind. It was as if the beginning of this project was touring the ocean aboard a ship and these tracks were finally taking a submarine on a deep dive into its depths. We have always believed that true self-awareness comes from being able to make oneself familiar not only with their assets and agreeable qualities but also their less desirable ones as well. It’s easy to attach ourselves to traits of empathy, patience, expression, etc. But to be able to honestly recognize fears, struggles, and insecurities, is equally as important. The sound we created felt like we were finally doing that on a sonic level.

While working on the titles for the tracks, we came up with “Overture” as we felt it was an introductory piece, not only for the album, but for the foreseeable future of our artistic direction. Then, while listening to the second track, wanting to keep with the theme of a deep dive into the dark depths of the ocean, we realized, what better way to represent what it is that we are looking for on this dive than the Priest of the Great Old Ones himself, Cthulhu. So we pulled a line from the HP Lovecraft story “The Call of Cthulhu” and titled the second track “Through Strange Aeons.” We bound it all together with the name Subterranean Entity as metaphorically, that is what we are searching for in this artistic endeavor.

-Anonymous Bosch

credits

released September 30, 2020

fathomthevoid.bandcamp.com

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Nailed Nazarene Industries Brazil

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